15 airports in 3 weeks = 5 new songs

This is the Muse songbook... travels everywhere I do.

As boring as travel can be and as lifeless as airports can appear they create one key element: solitude.  That solitude is enough to immerse yourself in music, mood and inspiration, apparently.  I’ve been traveling like a madman for the last couple months and, muse inspiration in tow; I’ve been able to write 5 new, really nice pieces of music.

I’ve actually been brushing up on music theory and chord sequencing (very atypical for the guy who’s never taken any formal training in guitar and couldn’t read music to save his life) in the meantime as well and the accompaniment should be pretty cool.  It’s a long assembly line from paper to production, but the hardest part is creating the story.  And, due to my immense amount of solitude lately, I have a lot of story.

I’m having a hard time calling the ball on the Muse album.  I’ll finish this bout of air warfare and see where we stand.  Muse may be coming soon.

 

–tann

New Song: Lost My Way

I wrote this song, on the fly–no words written down–just sang what came to me, on the 1st of December, 2011.  I recorded it, originally, to my iPhone as I liked the progression.  Recorded it this evening on the Focusrite/Saffire setup.  Turns out it makes kind of an interesting song.  I’ll try to write one that’s not such a bummer next time. =)

Tanner Bechtel – Lost My Way (c) 2011

New Song: Time After Time

Sometimes, life requires that you see the things you thought you knew through an entirely new lens.

Tanner Bechtel – Time After Time (MP3)

How a song begins: Whiskey and a Ring

If you’ve ever wondered how a song starts, well, here it is.  Songs come from all kinds of places, most of them come from experiences and they all com from the heart.  Often times, once you write the words, you just want them out.  On paper and out of your mind, your body and your heart.

They don’t have structure, they don’t have distinct possibility and they aren’t guaranteed to live–parallel to love itself.  I wrote this last night and its not done, but this is how it starts. Words on paper.  Life through the lens of a story.

Whiskey and a Ring, page 1

Whiskey and a Ring, page 2

Poor Customer Service and the Well Traveled Garment Bag

The Culprit: TravelPro Crew 8

I write this post from my new favorite (and well worn) bench at Lambert Field, a.k.a. STL international airport. I was lucky enough to make it through ATX (Austin, TX) in great time and land myself in an aisle row of a cattle-car packed American Airlines flight that would get me home 3 hours early! I had great company for conversation in my colleague Bill Keaggy. So great, in-fact, that I ended up walking off the flight in St. Louis without my bag (which was tucked nicely above my head–never checked. I am a well-seasoned A-List Preferred flyer, mind you.) Lucky for me, I barely cleared the airport exit when I realized my err. No problem, I walked off the flight no more than 5 minutes prior. I’ll just run up to the counter and let them know… Thus, the tale of careless gate agents, ticket takers, TSA mercenaries begin.

I first get to the ticket counter. An aged and thus wise-looking gent stood at the ready behind ticket window 40. I, in my mildest and learned ticket counter behavior, began retelling said gent of my impractical error and asked him kindly to call the gate. After much him-hawing about “no guarantees” he finally rings actor 2: unseen gate agent. Unseen gate agent gives ticket gent trouble–I can hear on the phone. Finally, gate agent gets off phone and says, “no bag found.” Huh? What do you mean? I was on that plane 10 minutes ago and my bag was there. It has my name in a big giant “I fly enough to own this airline-Airtran A+ Elite name tag (right next to my-my kids can’t remember my name Southwest A-List Preferred black tag… with my name on it.) No dice. Not his problem anymore he says. I continue to try and convince him to let me through–I can put my hand on it, I know exactly where its at. “No, no. Not the policy.”, says wisdom-waning ticket gent. He passes the buck. “Go to baggage services.”

Baggage services, for those unknowing, exists in the bowels of hell, beneath the civilian floors of the airport and is passed off as little more than a closet for the outcast baggage and the unloved employees that staff it. There I find my savior. My fighter and my ombudsman, enter: Gashaw. A diminutive (in size, not in spirit) woman that takes my case on like a little abandoned kitten in the rain. The savior of American Airlines. Er. No… Come to find out, she’s working for a contract company–not American.

Gashaw and I begin to tear up the phone lines. No one will let us back to the gate, no one has seen a bag anywhere. We play scenarios out at the counter, we rush to the carousel together, she calls DFW Dallas and ATX Austin, connecting with baggage handlers, ticket agents, TSA mercenaries, etc. Nothing. Not a damn thing. No bag anywhere between here and Austin. Keep in mind, I landed at 6. It’s now 8 PM. And did I tell you the best thing? My car keys are in the bag. Yeah. No way for me to get home until that bag shows up. I’m crushed, I’m angry–I have vowed to unhinge the American ticket counter, take it out into the parking lot and set it afire.

And then the damnedest thing happens. I get a phone call. A flight attendant, just landed in Dallas DFW has found a bag. On the flight I was on (that has since turned around and flown all the way to Dallas, TX, min you.) A black back, tags clearly visible, in the place I begged the gate agent who could’ve given a crap about some random guy (with 600 Facebook friends and 450 Twitter followers… didn’t count on that one, did ya, angry gate mercenary?) So now, it’s me, my new best friend Gashaw and a flight attendant who has clearly bit off more than he can chew (by this time, I’ve drank 165 oz. of Starbucks espresso and am carrying on like he’s found my daughter at the State Fair) trying to save my little TravelPro rolling garment bag like its the Ark of the Covenant and we’re working for Indiana Jones.

My bag makes it on the next flight (leaving DFW Dallas headed to St. Louis) arriving at 11:25 PM. That’s 5.5 hours behind me. My bag is officially one flight ahead of me–I’m going to have to leave it at home once to catch up.

Moral of the story? No one cared. No one really looked. It wasn’t their problem–it was a different department, someone else’s job to care about customers. They had tickets to punch, sugary cupcakes from yesterday’s birthday to eat, security line people to bully. Anything other than care about one guy. Well, the world has changed. And I now vow, with God as my witness, that I will avoid American Airlines as it is within my reasonable bounds to do so. Thanks, American. Me and my bag will get home about 1:30 AM now because no one felt empowered/responsible/compelled/incentivized to spend 5 extra minutes on a random guy. A random guy who travels nearly 35 weeks a year and spends tens of thousands of dollars on discretionary travel.

Thanks, Gashaw. You’re awesome. And the nameless contract company you work for. You’ll be getting a thank you note from me.

New Song/Remastered: Shock of Red

Same song, full multitrack production. Percussion, harmony and production complete. In my opinion, the best I’ve written, to-date. Great inspiration makes great music.

Shock of Red (remastered) – MP3 (click to listen, right click to save)

#muse #tannerbechtel
twitter: @tannerbechtel

New Songs: A Month or More, Lay Me Down and Rented Sheets

This holiday break has been great for music. I’ve been working to lay down 3 new pieces and I’ve got their first runs complete. They’ve still got some noise at the opening and closing of each track as they haven’t been finalized and mixed down yet. The quality of the new Focusrite 2i2 preamp and the Rode NT3 condenser mic are amazing. I think I’ve finally found the perfect mix of gear for what I do, but you be the judge.

The three new pieces are “A Month of More”, “Lay Me Down” and “Rented Sheets”, all full multi-track. This album is finally coming together and I’m proud of the quality of the pieces. As always, I want your feedback. Music is about expressing emotion and pleasing your audience. Enjoy–these are from my heart.

A Month or More (click to listen, right click to download)

Lay Me Down (click to listen, right click to download)

Rented Sheets (click to listen, right click to download)

#muse #tannerbechtel

–tanner

New Song: Legend of a Man

First, a disclaimer: I’ve had a lot of songs in 3/4 form floating through my Moleskine for some time. This one, “Legend of a Man” was written bedside by my grandfather, Harold, while he was in the hospital preparing to undergo what was (and still remains) the most traumatic medical experience of my life and I’m pretty sure his; open heart surgery. It was unplanned, unforeseen and immediate. He was scared and so were all of us. The outcome is never certain and you’re forced to look at life as a mortal journey–with a beginning and unfortunately, an end. He was lucky, he survived and is still currently recovering.

While I was sitting there, with his life in peril, I reflected on who he was. He wasn’t always old or in danger. Through most of his life, he was a towering man–both physically and as the patriarch of our family. He was a bear-pawed farm boy with a soft heart and a professor’s mind. I realized there was so much of him I wanted to become, so much of him I didn’t know and I started to see him in many of my traits, the things I said and how I handled myself–some by mimicry, others by blood. I liked that.

On to the piece at hand: I just pieced together lyrics and music and you can hear it. I stutter the pentameter of some of the lyrics and the transitions between the chorus and the verses–even the arrangement of the piece itself is still in flux, so keep that in mind when listening. This is, again, the straight to iPhone recording. So begins social music experiment #3 and the latest addition to what will be my second album, “Muse.”

Do me one last favor: when you’re listening to this song, put your own grandfather in this song and picture who he was–the struggles he lived through, the things you never had to see or will ever have to experience. See him for the tough character he was. Then, let me know what you think.
As always, click to listen, right-click to steal it.

Legend of a Man – (c) 2011 Tanner Bechtel (MP3)

Tanner

New Song: Shock of Red

I just put music to words today on a song I wrote on an airplane last week called “Shock of Red.” If you’re sensitive to lyrics that may be a little risqué–well, maybe you shouldn’t download this one. It’s about a redhead and its not written with much euphemism.

It’s a simple song, but the words are definitive, honest and the music I laid over the words just clipped right in perfectly. I was listening to a little cuban/hispanic music most of the day today and found that the Em/B7/Am progression was just as sexy as the words sounded to me. It may get another verse, but it doesn’t feel like it needs a bridge.

This is quite literally, the second time these words were paired to this music–first time wasn’t recorded, second time was to my phone. Music Social Experiment #2. Let me know what you think. As always, click to listen, right click to steal it.

Tanner Bechtel – Shock of Red (MP3)

Enjoy,
Tanner

#tannerbechtel #muse
twitter:@tannerbechtel

Social Building Blocks: Content Curation

Maybe you’re not a Twitter-vixen, posting 200 tweets a day about all the cool places you’ve been and all the cool things you’re doing. Maybe you’re not yet a Facebook poster with 1000 friends who all comment on your photos and posts.

Better yet, maybe you’re leading the charge at a business that has dedicated itself to becoming more ‘social’ but you just haven’t yet gained consumer traction… don’t fret. There are principles and values that social engagement and activation can provide that don’t involve your profile being highly ranked or even require you being actively engaged with your consumers.

Undoubtedly, the shift in the social technology landscape has been a less than obvious change for most enterprise businesses and has offered less than traditional–if any–means of showing value from the onset. Plainly speaking, businesses and their leaders know that social media, social business and overall social design represent bellwether changes to their competitive environment, but few understand the depth of its change. Overarching value in social design is readily apparent, but often the key elements (ecosystem, dynamic signal, metafilter and crowdsourcing — see the Dachis Group’s Social Business Design whitepaper) make its everyday application less than simple. We’re going to attempt to change that.

Let’s discuss a basic premise of social technology and communication: content curation. Curation, by definition, means:

“Curation: The act of curating, of organizing and maintaining a collection of artworks or artifacts.

Originally at websuccessteam.com

Principally, curation is the act of culling through steams of data and picking out what you like–just as a museum curator does for the art in a museum. The personal skill set and experience of the museum curator entitles them to discern from many avenues of art and only present what he/she feels is important. This action is a foundational building block of what makes social such a powerful, “by the people” medium.

In much the same way, content curation is happening at a personal level, on all social networks. Let’s use Twitter as an example: when we sign on to twitter, we are viewing our curated streams. This can be the twitter universe at-large or it could be our specified streams–either a general search term (i.e. # or hashtags) or, for the sake of this conversation, the people that we follow. Much in the same way we run our personal circles; we look to those we socialize with to offer their wisdom, experience and insight. In turn, their curated opinions affect the way we buy, think and act. Think about our neighbor telling us how fantastic his new leaf blower is to use. If we trust him, then no advertising at the store can affect how much we believe in neighbor guy’s personal testimony.

Our twitter example is exactly the same model. We might believe that @tannerbechtel is an IT genius (I sure do… =). When @tannerbechtel tells us that he used BrandX servers and they saved the mainframe when activity spiked off the chart this weekend, we believe in his word over a magazine ad in eWeek. When he retweets a news article from a source he follows, we read it and hold it in high merit. In fact, we may decide to retweet his opinion to our followers as well. We have, in a quick way, curated content to those who trust our opinions and respect our positions and viewpoints.

In a way, this has disabled the longstanding institutions of brand marketing and in many cases, news institutions as we know them. Brand perception forms around the content that we consume and the viewpoints we encounter–all powered by the curation of content from those we choose to follow. News comes to us through our network, curated for validity and accuracy. Often times, obscure news that affects our life or perception can be distributed widely across a network in real-time–something that could never have happened before content curation through the social network.

There are many elements that make up our social technology experience, but content curation serves as a foundational building block for deriving real, actionable value from the social experience.

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Theme: Esquire by Matthew Buchanan.

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